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UPCOMING TOUR DATES

18 April NEWCASTLE UNDER LYME New Vic Theatre TICKETS
19 April MANCHESTER RNCM Theatre TICKETS
20 April WREXHAM Wiliam Aston Hall TICKETS
21 April KENDAL Brewery Arts Centre TICKETS
22 April EDINBURGH Queens Hall TICKETS
23 April BERWICK Maltings Theatre TICKETS
26 April BIRMINGHAM Glee Club TICKETS
27 April CAMBRIDGE Corn Exchange TICKETS
28 April BASINGSTOKE The Anvil TICKETS
29 April CARDIFF Tramshed TICKETS
30 April BRADFORD UPON AVON Wiltshire Music Centre TICKETS
01 May BRIGHTON Old Market TICKETS
02 May SOUTHHAMPTON Turner Sims TICKETS
03 May LONDON Albany TICKETS
06 May CLITHEROE The Grand TICKETS
07 May BARROW The Forum TICKETS
10 May RUNCORN The Brindley TICKETS
11 May LEEDS City Varieties TICKETS
12 May LEEDS City Varieties TICKETS
13 May STOCKTON Arc TICKETS
14 May NEWCASTLE Theatre Royal TICKETS
25 May DUBLIN Vicar Street TICKETS
28 May LONDON The Barbican TICKETS
19 August HELSINKI Helsinki Festival TICKETS

The Unthanks

Intimate, epic, overflowing with feeling and musical intelligence The Independent

Nominated for the Mercury Music Prize and the only British folk representation in The Guardian’s and Uncut’s best albums of last decade (worldwide, all genres), The Unthanks have an army of notable fans, including Martin Freeman, Elvis Costello, Colin Firth, Robert Wyatt, Rosanne Cash, Dawn French, Al Murray, Ade Edmondson, Matt Lucas, Stephen Mangan, Paul Morley, Martin Hayes, Ryan Adams, Ben Folds, Ewan McGregor and Nick Hornby.

The Unthanks is a family affair for Tyneside sisters Rachel and Becky Unthank, with Rachel married to pianist, producer, arranger and composer, Adrian McNally. Using the traditional music of the North East of England as a starting point and predominant song source, the influence of Steve Reich, Miles Davis, Sufjan Stevens, Robert Wyatt, Antony & The Johnsons, King Crimson and Tom Waits can be heard in the band’s 7 albums to date.

Since releasing three project albums in one year back in 2012, The Unthanks have been hiding away in Northumberland, quietly working away on an ambitious follow-up to 2011’s Last. Who knows how rich, imaginative and groundbreaking their new album will be, released to coincide with this tour, and to be brought to life on stage with a talented 10 piece band.

It’s anyone’s guess. Those project albums – the orchestral ambition of a brass band collaboration, a reimagining of the work of Robert Wyatt and Antony Hegarty, and a soundtrack to a film about the shipbuilding industry – give little clue, while work since then with Orbital, Sting, Adrian Utley (Portishead), Martin Green (Lau), Martin Hayes, The Voice Squad, Charles Hazlewood, The Moulettes and German composer Werner Cee,, is so disparate that making predictions is impossible.

Definable only by their restless, peerless eccentricity, The Unthanks see folk music less as a style of music and more as a oral history that offers perspective on our own time. Their unique approach to storytelling straddles the complex relationship between modernism and learning from the past. Staunch traditionalism and sonic adventure may seem like polar opposites, yet they are easy bedfellows in the gentle hands of The Unthanks.

Im glad to be around at the same time as them Martin Freeman

“The Unthanks seem to regard folk music the same way Miles Davis regarded jazz: as a launch pad for exploring the wider possibilities. Uncut

Rachel and Becky’s voices are one of the true wonders of 21st-century music” NME

It is their ability to pare back extraneous matter and to stare unflinchingly into the very soul of a song that makes them a spellbinding experience” BBC Music

Just beautiful Lauren Laverne

Haunting, original and magnificent  The Guardian

“once in a blue moon type of every now and again, you hear music that is so complete, so wonderful, unique and yet familiar that it stops you in your tracks. They have that blue moon magic about them, and they have it in spades” BBC Music

Music as tough as it is gentle, as ancient as it is modern, and as coldly desolate as it is achingly intimate.. a sensationally graceful sound that can be epic and subdued, dreamy and specific, as well as supernaturally ancient and defiantly modern. Paul Morley, Observer Music Magazine